Truck
Factory Theatre, March 25 – April 6
Playwright Graham Isador looks to a not too distant future where vehicles are self driving and long haul truckers are autonomous. Isador has been a writer I’ve enjoyed following. Whether he’s answering the question “can one person eat 50 McNuggets in a sitting?” or sharing his experiences with losing his vision on his new podcast Short Sighted, his voice makes Toronto feel a bit more human. Ellie Moon, Craig Lauzon, and Tim Walker make for an absurdly accomplished and sensational cast. More info
A Public Display of Affection
Crow’s Theatre, March 25 – April 20
This is the world premiere of Jonathan Wilson’s solo show based on his life when he was a queer youth on the streets of Toronto. An intimate look at the Village and its vibrant characters of the late ’70s and ’80s and its legacy. As overpriced condos and gentrification threaten the existence of the Village (like so many unique safe harbours), I think it’s important to take stock every now and then. More info
Feast
Tarragon Theatre, April 1 – 27
With a tag like “A culinary tour, a global crisis, and yet, still always hungry,” how can you not be curious? Award-winning playwright Guillermo Verdecchia’s body of work often explores politics and representation with some culinary theory. Feels painfully timely, with two insatiable trolls running the country next door. More info
POCHSY IV: UNPLUGGED
Deanne Taylor Theatre, April 4 – 20
Karen Hines is back with her iconic Pochsy, who worked for Mercury Packers until they went offshore. Pochsy’s brain is a little addled from the mercury exposure and she exists in an ecological disaster, but she brings a sense of whimsy to the capitalist machine that could kill us all. More info
DIDO AND AENEAS
The Canadian Children’s Opera Chorus. March 28 – 29
Sneaking this one in here too! For some youth, this will be the highlight of their performing careers as they choose different professional paths. But for others, it’s only the beginning. I’ve seen the children of friends and colleagues develop their skills at Children’s Opera over the years. Dido and Aeneas is accessible for the opera-curious. It’s about an hour long, in English, has memorable music, and obviously it’s age appropriate for young adults! More info
This article appeared in the 2025 April/May issue.
